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THe disortion in particular is a fine-point of any amp, and AVT passes the test beutifully.
#Marshall avt 50h price on simulator
Everything about this guitar comes alive with this amp, from the shimmering sound of the AVT's clean channel that stayed tight at high volumes, the spank and clank of the Acoustic Simulator (works very well with the neck pickup), to old-school driving distortion through AVT's OD1, and the opposite, with full-out, scooped distortion fury that will make any nu-metaler scream with delight.
#Marshall avt 50h price on full
I haven't tried it full bast yet, but so far seems to be about as loud as the 100 watt VS100RH.At the moment, I'm playing a new Fender USA Stratocaster with 3 single coils. I compared it side by side with my friend's VS100RH and was truly surprised and astonished! I doubted that I was going to keep it, but after hearing just the first few notes from it, I was won over. I actually had low expectations on the AVT50 head, but was willing to try anything to make better recordings.
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It doesn't look cheap like the older heads -it includes gold lace lining around the perimeter of the face and has a vent and fan built in to keep it cool. The construction is beautiful! This time Marshall actually made a Valvestate head that is proportionate to the cab.
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It would be nice to have a mid EQ on the cleans, but the sound doesn't seem to suffer much from it. Much Much louder than I expected -sound maintains shape at just about any volume. Gain switch on the clean makes the clean channel warmer and more versatile. Excellent, warm sounding clean and reverb. TIGHT punchy vintage metal overdrive -much tighter than the VS100RH. I traded in my VS100RH for it at Noah's music in Yuma because I needed something better for recording. No matter what kind of music you play, this amp can suit you. It deosn't sound half as good as the head. Whatever you do don't get the combo version. (That would be all of us.) The price is really good, and with a good cab, the tone is outstanding. I recommend this amp to anyone who wants a very good gigging amp with tons of tone. It's built perfectly in the Marshall tradition. They work really well but not quite like a full tube amp.Įverything is amazing about this amp. The tone controls aren't 100% expressive, either. I'm not sure why, but a JCM 2000 TSL100 boots up in about half the time this one does. But it is definitely loud enough to gig with and jam with. Since it's only 50W instead of 100, you don't get quite the chest-pounding volume out of it. Since it has a headphone jack, you can practice without bothering anybody else. The reverb is pretty good, but I don't really like using it (personal preference). You can go from soft blues licks to skull-crushing death brekdowns in the crank of a knob. The tube preamp makes an awesome OD sound that is extremely versatile. Then, there's the sweet, sweet distortion. It has a pretty good amount of warmth, and sisnce it doesn't push a cab as hard as a 100W head, it has really good headroom. The clean channel is suprisingly good far a half solid state. Just about everything! Both the clean and OD channels rock. It came with a footswitch and tone that kicked my ass. I paid about $450 for this at a local music store.